![]() While hip-hop continues to evolve into new subgenres, its roots of authentic storytelling, giving a voice to the underdog, haven't gone away and so it continues to resonate with listeners globally.When your friend tells you that the party tonight is going to be 80’s themed, you immediately think to bring out your neon shorts and windbreakers, your leotards, your leg warmers, and that side pony-tail or sweat band…or both. ![]() Some folks have kind of dabbled in political statements, but a lot of it has been more cultural than political." President Obama once said to MTV's Sway that, "You know, I think the most vibrant musical art form right now over the last 10, 15 years has been hip-hop. Jay-Z, Nas, Sean Combs and Pharrell Williams all endorsed the campaign and encouraged a generation of young people to become more engaged with social and political issues. Much has been said about the impact of hip-hop on Barack Obama's 2008 US presidential campaign. Some might argue the opposite, that rap helped young people understand and vocalise the social and political injustices they were facing. This, alongside the success of rap groups like NWA and rappers like Ice-T, drew the attention of the political parties of the time who felt that the power of hip-hop was influencing the American youth in a negative way. In the 80s and 90s, rap groups such as Public Enemy had a predominantly political message in their music and were prolific in telling stories of the oppression they faced as Black men in America. From a homegrown perspective, the UK has produced female rappers such as Lady Leshurr, Estelle, Ms Dynamite, Ms Banks and Stefflon Don, to name a few.Įntertainers from the world of Reggae, Hip-Hop and R&B including Shaggy, Sean 'P Diddy' Combs, Mary J. Rappers such as Nicki Minaj, Megan Thee Stallion and Cardi B are currently some of the scene’s most popular and widely regarded as benchmarks for the emerging generation in Ice Spice, Lola Brookes and Glo Rilla. This paved the way for a more explicit style of rap in the noughties and gave rise to the female rappers of global status that we see in the present day. From the conscious tones carried through from the 80s, to the evolving sexualised tones synonymous with rappers such as Lil Kim and Foxy Brown. The female rappers of the 90s offered a wide breadth of styles and tones. The 90s brought through rappers such as Foxy Brown and Lil Kim from New York, Los Angeles' Lady of Rage, Philadelphia’s Eve, Da Brat and Left Eye from Atlanta, Virginia’s Missy Elliot and the multi-hyphenated tour de force Lauryn Hill from New Jersey. ![]() In the early days, female rappers such as Sha-Rock, Roxanne Shante, Queen Latifah, Monie Love and Bahamadia were seen as pioneering forces, telling their stories with an equally dynamic lyrical flow. They were prolific in exploring their experiences as women within their communities and society at large. Rappers Lil Kim and Missy 'Misdemeanor' Elliottīut the women were doing their thing in the genre. Today, Hip-Hop permeates all aspects of contemporary popular culture and rappers such as Jay-Z, Nas, Diddy, Dr Dre, Snoop Dogg, 50 Cent and Eminem have gone on to become moguls and entrepreneurs in fields that extend far beyond the genre. Hip-Hop is often synonymous with rap music, and has evolved through many different styles and eras, going on to inspire countless sub-genres and subcultures - such as breakdancing and the B-Boy/B-Girl scene - throughout the world. The accompanying vocals in hip-hop music usually come in the form of rapping - a style with a myriad of influences including Jamaican 'toasting' as well as Black power poetry. Other pioneering DJs at this time were also experimenting with turntabling techniques to create the unique style of music that became known as hip-hop. Some of Hip-Hop's founding pioneers from New York were from diasporic Caribbean islands such as Jamaica (DJ Kool Herc) and Barbados (Grandmaster Flash) as well as African-American communities (Kurtis Blow). Sonically, its birth can be traced back to 11th August 1973, to a party in an apartment building on Sedgwick Avenue where a young Clive Campbell - better known as DJ Kool Herc - used two turntables to loop percussive portions of the same record to create a continuous flow of music.
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